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Marshall Blevins
Louisiana

Artist Statement Submitted 2020

Church Goin Mule's work is a memory jug, a death-vase mash of the collective southern past, pearls and rusted nails, song and story, lore and loss. In a time of remarkable and perhaps increasing polarity, the mule is our grounding rod, pointing to not a better past, but a different one. Like much of our history, it's been forgotten and framed to tell a different tale. That story is a well known one, of glory and triumph. Our true story, our true flag is the white one of surrender, and of hard work, poverty and loss. The mule was the first hybrid and he was always there, able to work harder, live longer, eat less. He stood beside moonshiners, levee builders, cotton farmers, timber-haulers, oil drillers, sugar cane folks. He worked six days and brought his folks to church and town on the seventh.

www.churchgoinmule.com

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